Jo Jones

He was one of the first drummers to promote the use of brushes on drums, and shifting the role of timekeeping from the bass drum to the hi-hat cymbal. Jones had a major influence on later drummers such as Buddy Rich, Kenny Clarke, Roy Haynes, Max Roach, and Louie Bellson. He also starred in several films, most notably the musical short Jammin' the Blues (1944).

Jones performed regularly in later years at the West End jazz club at 116th and Broadway in New York City. These performances were generally well attended by other drummers such as Max Roach and Roy Haynes. In addition to his artistry on the drums, Jones was known for his irascible, combative temperament. One famous instance of his irritable temper was in the spring of 1936, during a jam session at the Reno Club in Kansas City. A young Charlie Parker was attempting to play an improvised solo, but lost track of the chord changes; as a sign of contempt, Jones threw a cymbal from his drum kit onto the floor near Parker's feet to get him to leave the stage.

In contrast to the prevailing jazz drum style exemplified by Gene Krupa's loud, insistent pounding of the bass drum on each beat, Jones often omitted bass drum playing altogether. Jones also continued a ride rhythm on hi-hat, while it was continuously opening and closing instead of the common practice of only striking it while it was closed. Jones's style influenced the modern jazz drummer's tendency to play timekeeping rhythms on a cymbal, that is now known as the ride cymbal.

In 1979, Jones was inducted into the Alabama Jazz Hall of Fame for his contribution to the Birmingham, Alabama musical heritage. Jones was the 1985 recipient of an American Jazz Masters fellowship awarded by the National Endowment for the Arts.