La Grande Sophie

At first attracted to the visual arts, especially sculpture, she studied at the École des beaux-arts in Marseilles. She continued to write, compose, and play covers, as well as her own songs, at sidewalk restaurants in Marseilles. After two years of courses in fine arts she chose to quit her studies to dedicate herself exclusively to music. In 1994, she met Julien Bassouls, the entrepreneur of "Life, Live in the Bar", a group which arranged concerts for young artists, and went up to Paris in 1995. She played in many bars and small venues there, accompanied by guitar and bass drum.

In collaboration with other young artists, including Jean-Jacques Nyssen, Clarika and Philippe Bresson, she participated in writing and staging a musical, La Marée d'Inox, played at the Théâtre Jean Vilar in Suresnes in February 1996.

She created "kitchen miousic", which she defined as considering musical activity as little different from any other daily task. This popular and lifelike approach to writing and performing music was one of her distinctive characteristics. This self-definition also expressed her desire not to be pigeonholed into a specific genre.

Her influences ranged from Jacques Dutronc to Chrissie Hynde of the Pretenders through Polly Jean Harvey and Joe Hisaishi. In 1996 she was invited to the Francofolies festival in La Rochelle. Next year, she released her first self-produced album, La Grande Sophie s'agrandit (La Grande Sophie grows up), on the independent label "Les compagnons de la tête de mort".