Maurice Baquet

However, he does not leave his cello behind. On the contrary, the instrument accompanies him throughout his life and we remember the wink that Joseph Losey allowed him during a short but moving sequence in Monsieur Klein. In the early 1930s, he rubbed shoulders with Pierre and Jacques Prévert, Roger Blin and joined the famous October Group, an agitprop group, closely linked to the French Communist Party. He set up his career as an actor there and devoted himself to beautiful texts, in particular the poems of Aragon and Paul Éluard. In 1935, he made his first feature film under the direction of Marc Allégret, Les Beaux Jours. A filmography of more than 80 titles follows. His head as a resourceful and facetious kid also earned him the role of Bibi Fricotin, then that of Ribouldingue in two films by Marcel Aboulker.

At the theater, he plays in the operettas Andalousie and Gipsy by Francis Lopez. He also performed at the cabaret, sometimes accompanied on tap dance by Jacqueline Figus, his wife since 1944.

He also participated in ski mountaineering competitions, as well as more humorous performances, such as his ski descent from the stairs of the Butte Montmartre in 1946. In the same vein, he also skied down the stairs from the Maison de la Radio, following a bet. In 1947, he presented with the whimsical Saint-Granier a bicycle-ski allowing to go down the slopes. Friend of Roger Frison-Roche, we find him in the credits of Premier de cordée (1944). In 1955, he co-directed Stars and Tempests with Gaston Rébuffat and Georges Tairraz, which won the Grand Prix at the Trente Festival. On July 13, 1956, he made the first ascent of the south-east face of the Aiguille du Midi in Chamonix with Gaston Rébuffat, sequences of which can be seen in Entre terre et ciel.

He was also a friend of Robert Doisneau, who photographed him extensively6 and with whom he produced a work entitled Ballade pour violoncelle et chambre noire, which testifies to their friendship.