Jean-Claude Brialy

By the late 1950s, he'd become one of the most prolific actors in the French nouvelle vague and a star. He appeared in films of nouvelle vague directors such as Claude Chabrol (Le Beau Serge, 1958; Les Cousins, 1959), Louis Malle (Ascenseur pour l'échafaud, 1958; Les Amants, 1958), François Truffaut (Les 400 Coups, 1959), Jean-Luc Godard, (Une femme est une femme, 1961), Éric Rohmer (Claire's Knee, 1970), as well as in films of other filmmakers such as Jean Renoir (Elena et les hommes 1958), Roger Vadim (La ronde, 1964), Philippe de Broca (Le Roi de cœur, 1966), Luis Buñuel (Le Fantôme de la liberté, 1974), and Claude Lelouch (Robert et Robert, 1978).

In 2006, he appeared in his last role, as the eponymous character of the TV film Monsieur Max, directed by Gabriel Aghion. Godard described him as "the French Cary Grant," while Brialy's self-described "life models" had reportedly been actor Sacha Guitry and director Jean Cocteau.

Brialy directed a number of films, including Églantine in 1971, which was loosely inspired by his own memories of a happy childhood spent in Chambellay with his grandparents, and Les volets clos (Closed shutters) in 1972.