Muriel Robin

In 1977, aged 22, she left Saint-Étienne for Paris, taking a course in dramatic arts at Cours Florent, the entry college for the National Superior Conservatory for Dramatic Arts, in Paris. She graduated and returned to sell shoes in Saint-Étienne

In 1981, she joined Roger Louret, whom she had met in Paris, in Monclar, with his theatre company, Les Baladins en Agenais. Notable people that she met there include Elie Semoun and Annie Grégorio. In 1983, she returned to Paris with Annie Grégorio to work at the Petit Théâtre de Bouvard., where she also met Didier Bénureau. She came up against the authoritarian methods of Philippe Bouvard, but, even so, he gave her a part in a play he had written, Double Foyer. Following that, she played in a role co-written with Didier Bénureau, Maman ou Donne-moi ton linge, je fais une machine, (Mother, or, Give me your laundry, I am washing a load), in 1986, in Avignon, and in 1987 in Paris, at the Théâtre de Dix heures. The play was later shown in Monclar at the Théâtre de Poche. She became known to the wider public, towards the end of the 1980s through a television programme called La Classe, broadcast by FR3 (which became France 3). Muriel Robin met and became good friends with Pierre Palmade. They created her first one-woman-show together, Les majorettes se cachent pour mourir, in 1988, directed by Roger Louret. This programme was a success and pushed Robin into the limelight.

During the 1990s, Robin appeared in plays including Tout m’Enerve, Bedos-Robin a collaboration with Roger Louret, Feu la Ma La Mère, and On Purge Bébé. She also presented on radio, on Europe 1, with her programme, Tout Robin. In 1997, she obtained her first role in cinema, replacing Valérie Lemercier in Les Couloirs du temps: Les Visiteurs 2 by Jean-Marie Poiré. The same year she wrote and directed with Pierre Palmade in the play, Ils s'aiment,(They Love Each Other) played by Pierre Palmade and Michèle Laroque, which was a success and received a nomination for the Molière for the Best One-Man-Show or Sketch Show.

In May, 2000, she announced that she would finish with the genre of the one-woman-show and concentrate on her profession as a comedian, but also that year, took her first big role in cinema in the eponymous role of Marie-Line, by Medhi Charef. Other roles on stage and screen followed, in the following years.